Rosé Porn

Rosé Porn, a work called by choreographer Zoja Smutny a „concept album“, is a choreography that exists somewhere at the interstices of dance, cinema, installation, merchandising, music, and environmental design. Designed for multiple kinds of venues and from Smutny’s heavy influence of a visual arts approach to making, Rosé Porn interpolates an audience, demands a considered watching, brings choreography to a viewer on the exchange that an audience member engage it actively. Rosé Porn can be walked through, photographed, watched directly, or glanced at through a sideways look; as a generator of multiple objects through the choreographic event, Rosé Porn can also be smelled, worn, listened to, taken home. Through the arrangement of set elements over the course of the performance, Rosé Porn creates an installation that exists and is open for viewing in the space throughout the duration of a run. This installation becomes a space for alternative viewings of the work, and a home for a „Choreographed Conversation“ taking place between artists and agents in and around the work at a given moment; this ocnversation creates a performative platform for sharing artistic practice and thought. Created in collaboration with Toronto-based multidisciplinary artist Victoria Cheong, Rosé Porn activates all available space around the event of a dance performance and encourages multiple layers of viewing.

For Rose Porn we created a visual that would serve as an album cover, as well as elements that people could interact with in the shows.

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