Clarity II

Believe it or not, this shot and the previous one are from the same basic Processing sketch as the rebound. The differences are just adjustments in the parameters.

When I do stuff like this I give myself a bunch of variables and then just play at refreshing the palette, resetting the shapes, tweaking the settings etc. and seeing what results. I generate hundreds, keep a few dozen at most, and end up finding only a few gems worth publishing.

There are some really interesting toning, flecks of other colours, and implied edges happening in this one that give it a great organic feeling.