𝘈𝘮𝘣𝘦𝘳 DiSC “ST. MARY’S CHURCH” on AMBER STASIS DEVICE 01.

The physical is becoming lost, only tokens of what was remain. Devices conjured from the scraps of now, display a relic. A shadow. An etched effigy of the past. Like a snow globe, the encapsulated is being unto itself.

𝘈𝘮𝘣𝘦𝘳 DiSC “ST. MARY’S CHURCH” on AMBER STASIS DEVICE 01.

[DIGITAL ARTWORK, 2023]

TRANSCRIPT:

[device clicks]

Location: 51 degrees, 32 minutes 55.9 seconds North.

0 degrees, 42 minutes, 20.9 seconds East.

Thread: biological parents’ wedding consummation.

Documentation Date: 9, 7, 1994.

A path begins here in the destruction of two others.

One lineage continued.

One lost.

Will this hybrid usurp the existing?

Or is it doomed to continue the thread?

Signals suggest the former.

Life, however, has other plans, we-

[radio static]

[device unclicks]

‘Bespoke Acrylic info-coded disc-like sheet render inserted into a composite of existing imagery, forming an AMBER STASIS DEVICE.’

IMAGE SOURCES: Device Body: iStock 92019028.

Grill: iStock 527515345.

Button and Ridge: iStock 452100979.

Lights: iStock 185858156.

Acrylic Sheet Mock-up: by Harry Vincent.

TYPEFACES: [Disc Logo]

‘Times New Roman’ by Stanley Morison.

‘Arial’ by Robin Nicholas and Patricia Saunders.

[Information]

‘Arial’ (Various weights) by Robin Nicholas and Patricia Saunders.

[MacroHard Logo]

‘Helvetica Black Oblique’ by Max Miedinger.

REFERENCES:

“I’m in.” Opening sequence from ’The Matrix Reloaded’ (2003), by The Wachowskis.

SAMSUNG SPH-N270.

Acrylic Business Card, by Dan Barkle.

Microsoft Windows 95 Software 3.5" Floppy Disk.

IMAGE DESCRIPTION: A portrait image of a Red and Orange Acrylic arched-window shaped sheet with engravings on it, plugged into a Blue-ish Grey device, with small buttons on. The device glows when connected together, and all on a Black background.

HARRY––VINCENT
At the convergence of gothic & contemporary visual culture.
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