Sounding Crisis
In the face of the climate crisis, "Sounding Crisis: Sounds and Energies within Climate Change" stands as a groundbreaking research project that challenges conventional wisdom. Led by principal investigator Ania Mauruschat, this innovative endeavor delves into the concept of 'sonic agency' as a fresh perspective on understanding 'energies' within the climate change discourse. Departing from Western notions of 'energy' tied to fuel and power systems, Mauruschat draws inspiration from sound and energies scholar Douglas Kahn, viewing 'energies' as multifaceted phenomena that emit sound and possess transformative potential.
At the heart of this exploration is the concept of 'sonic agency,' a term coined by sound artist and scholar Bradon LaBelle. It encompasses the ability of sound, whether acoustic or electronically amplified, to influence human senses and drive change. "Sounding Crisis" casts its investigative net wide, encompassing sound practices employed by both indigenous and non-indigenous activists and artists across Denmark, Kalaallit Nunaat/Greenland, and Australia. This includes everything from indigenous sound practices addressing environmental issues to the auditory expressions of urban climate activists through various media, such as social platforms, music, street protests, and artistic creations.
This project not only redefines our perception of 'sound' but also offers a rich perspective on 'energy.' It recognizes sound waves as a form of mechanical energy, indigenous sound practices as expressions of 'energy intimacy,' and urban climate activists' sound practices as articulations of the 'energy unconscious.' With a focus on both the present and historical context, "Sounding Crisis" provides fresh, decolonial insights, enriching the field of Sound Studies and prompting a profound reevaluation of the Western concept of 'energy' in the context of our ongoing climate crisis.
